How King Sunny Ade’s Prophecy To Primate Ayodele Came To Pass 20 Years After
Primate Ayodele
AJAGBE ADEYEMI TESLIM
SPONSORED BY: H&H
Even in the old testament, we never heard people prophesying to prophets because it is believed that God speaks to them about everything therefore they know every of God’s plan but it seems there is a difference in the case of juju maestro, King Sunny Ade who prophesied to Popular prophet, Primate Elijah Ayodele on July 7, 2000 at the then new site of INRI Evangelical Spiritual Church, Oke-Afa, Isolo, Lagos.
On that remarkable day, King Sunny Ade came in a blue V-boot Mercedes Benz, dressed in a blue shirt and blue jean to perform for Primate Ayodele’s congregation being a close friend to the prophet and one who submits to the man of God as his father in the Lord. The total number of members at the church then was 500.
While performing, Sunny Ade made an unusual move that could have only been orchestrated by the spirit of God. He suddenly went to the four corners of the church and prayed significantly with a cube of sugar. Right there, he released a prophecy that the Lord of host showed him the bright future of Primate Ayodele’s ministry and church. He categorically stated that Primate Ayodele will acquire more lands and will build an edifice that will contain 30,000 worshippers.
As expected, Primate Ayodele didn’t believe this prophetic revelation and one can’t blame him, most won’t expect a juju musician to prophesy but little did he know that Sunny Ade was an angel God sent to minister to him with that prophetic revelation.
As prophesied, in 2010, 10 years after King Sunny Ade gave this prophecy, Primate Ayodele acquired more land to build more capacity because the church wasn’t containing the crowd anymore but not exactly the 30,000 capacity church King Sunny Ade prophesied.
However, in 2021, a little after another 10 years, the prophecy has finally come to pass as Primate Ayodele is already building a 30,000 capacity church because of the crowd that throng INRI Evangelical Spiritual Church, Oke-Afa in every service, including weekdays and Sundays.
As King Sunny Ade isn’t known to be a prophet or pastor, there was need to investigate what led to this prophetic move 20 years ago and it was discovered that King Sunny Ade is an apostle at Cherubim and Seraphim church.
To appreciate KSA for being that angel God used to foresee Primate Ayodele’s growth, the man of God has decided to invite the Juju Maestro on his annual thanksgiving which comes up every February 14 to celebrate his 35th year in the service of the Lord. Since he was the one God used for him, it’s important he comes to see his prophecy becoming a reality.
Therefore, all roads lead to INRI Evangelical Spiritual Church, Oke-Afa, Isolo on February 14, 2022 for this mind blowing event. Several prominent individuals including Governors, presidents, ambassadors from home and abroad will in attendance.
AFRIMA partners stakeholders to actualise AU’s vision on creative economy at PACC6 in Moroni, Comoros
AJAGBE ADEYEMI TESLIM
SPONSORED BY: H&H
As one of the institutions championing positive change in the global entertainment industry, All Africa Music Awards (AFRIMA) has reaffirmed its commitment to the growth of Africa’s creative economy by partnering with critical stakeholders to align with the African Union’s vision for cultural and creative development, as outlined during the recently concluded 6th Pan-African Cultural Congress (AU/PACC6) in Moroni, Union of Comoros.
Cross section of participants including AFRIMA’s Director of Stakeholders Engagement, Media, and Communications (Global), Sola Dada during the recently concluded 6th Pan-African Cultural Congress (AU/PACC6) with the theme “Arts, Culture, Heritage, and Education: Levers for Buildings Africa We Want” held in Moroni, Union of Comoros
It was a gathering of key stakeholders, including Pan-African cultural institutions, artists, cultural workers, and policymakers in the East African country, at an epoch-making event held between September 25 and 27, 2024. At this event, a framework for action aligning national and continental policies was developed, emphasizing the development of arts and heritage as crucial to achieving the AU’s Agenda 2063 vision.
In a presentation at the event, Sola Dada, AFRIMA’s Director of Stakeholders Engagement, Media, and Communications (Global), took the audience through the organisation’s activities since its inception in 2014, tailored towards promoting music, arts, and culture on the continent and the sustained effort to collaborate with other industry institutions to deepen the entertainment ecosystem in Africa.
“AFRIMA has successfully collaborated with policymakers, governments, African artistes, producers, record labels, promoters, publishing companies, media and the African Union Commission (AUC) to celebrate and promote African music globally,” Dada told the conference. “Through our seven core pillars, namely Music Awards, Music Festivals, Music Business Hub, Talent Discovery and Promotion, AFRIMA Creative Academy, Advisory and Policy Debates, Corporate Social Responsibility and Advocacy, we have positioned African music as a tool for integration, inclusivity, economic prosperity, and world peace.”
He said as the longest-running African music award platform with a global reach, AFRIMA plays a critical role in enhancing the visibility of African music.
AFRIMA’s Director of Stakeholders Engagement, Media, and Communications (Global), Sola Dada(with cap), giving a speech at the recently concluded 6th Pan-African Cultural Congress (AU/PACC6) with the theme “Arts, Culture, Heritage, and Education: Levers for Buildings Africa We Want” held in Moroni, Union of Comoros
Dada added that. ” AFRIMA’s events bring together thousands of music artistes, actors, celebrities, governments, and professionals from around the world to continent’s cultural significance on the global stage.
“Through our partnership with the AU and other stakeholders, AFRIMA is well-positioned to support the implementation of policies that will drive the growth of Africa’s creative economy. With a focus on integration, innovation, and cultural preservation, AFRIMA and the AU are set to make significant strides toward the Africa We Want as envisioned in Agenda 2063.”
The AU/PACC6, held under the theme “Arts, Culture, Heritage, and Education: Levers for Buildings Africa We Want,” served as a platform for Pan-African cultural institutions, cultural workers, and experts to engage in discussions on how to leverage these sectors to build a stronger African identity.
The congress concluded with a framework for action designed to guide cultural and educational development across the continent.
The congress resulted in several key resolutions aimed at strengthening Africa’s cultural sectors, including support for national cultural policies, engagement of youth and women, heritage preservation, promotion of African languages, and cultural exchange programmes that allow African youth to collaborate, showcase their work, and learn from one another.
In her opening remarks, Mrs. Angela Martins, Acting Director for Social Development, Culture, and Sport at the African Union Commission (AUC), highlighted the rapid growth of Africa’s cultural and creative industries, referring to them as the continent’s “new crude oil” due to their increasing global economic influence. Martins called for greater investment in the sector, citing AU Assembly Decision 772, which advocates for allocating at least 1% of national budgets to arts, culture, and heritage.
As part of the AU’s efforts, she announced the development of an arts education policy aimed at integrating arts education into school curriculums across Member States.
“This policy aligns with the AU’s theme of the year for 2024 and aims to nurture young talent from an early age,” she said.
Martins praised the efforts of key institutions in the entertainment, art and cultural space including AFRIMA which she described as “Africa’s global music awards and longest-running music award platform, with a huge global appeal, diaspora audience, and youthful fans.”
The main events of AFRIMA are usually broadcast live to over 84 countries around the world after a continental and global roadshow, with thousands of music artists, actors, celebrities, members of the diplomatic corps, professionals in the creative space, tourists, media and fans from all over the world converging on the host country.
LAGOS STATE GOVT, FIRST BANK PARTNER STAGECRAFT PRODUCTION TO STAGE KURUNMI
•••Nigerian Breweries Plc supports stage play
AJAGBE ADEYEMI TESLIM
SPONSORED BY: H&H
In line with its commitment to Entertainment and Tourism, of the Governor Babajide Sanwo-Olu administration, Lagos State Government is partnering Stagecraft Studios and Film Production Ltd. to stage a play titled ‘Kurunmi’ this weekend.
The Lagos State Government’s partnership was disclosed by the State Commissioner for Tourism, Arts and Culture, Mrs. Toke Benson-Awoyinka, during a press conference held a few weeks ago at the Bagauda Kaltho Press Centre, Alausa, Ikeja.
She said the government is partnering with the production firm to stage Kurunmi in its bid to foster historical heritage and prevent African culture and traditions from going into extinction, as well as expose and awaken the consciousness of youths to the role of good leadership anywhere they find themselves.
Kurunmi is a play written by renowned playwright, Prof. Ola Rotimi, exploring the themes of supremacy of tradition, social change, responsible leadership, control and accountability.
Kurunmi, which parades a large cast of 75 young and veteran actors and crew members, will be staged at Terra Kulture Arena on Saturday and Sunday, September 28 and 29.
The play is produced by Stagecraft Productions and directed by a renowned movie producer and actor, Mr. Oladapo Muyideen, popularly known as Lala.
The play is supported by FirstBank, as part of its First@arts initiative to promote the arts, preserve cultural heritage, and provide a platform for creative expression.
According to a press release by the bank, the play, set in the Yoruba kingdom of Oyo, follows Kurunmi, a military leader and war general facing internal strife and external threats from imperial powers, particularly the Fulani forces.
“Kurunmi is not only a powerful piece of literature but also a significant contribution to African drama,” the bank stated.
Other sponsor includes the Nigerian Breweries Plc, with its Goldberg beer-an attestation of the brand’s connection to the culture and tradition of its consumers.
The play will open for public on Saturday and Sunday from 3pm and 6pm.
As Part of effort to gather momentum, recognition and to differentiate her brand among her peers in the music industry, Islamic start Artist, Alhaja Azakira Opeyemi Jemilat Alagbe popularly known world wide as Omo-Sheu has Added another feather to her numerous stage name as she unveil all her 24 stage names in a recent interview with August24news.com Senior correspondent. Ajagbe Adeyemi Teslim.
In this report, I will be reporting all the 24 Stage names of the Ado-Odo born star Artist.
Report have it that come next will Sunday at the prestigious Ijanikin Alhaja Jemilat Opeyemi Alagbe will be turban as the Amirah Shuharai of Awori Land by Rahamatulahi Islamic foundation under the leadership of his Eminence Fadilat Sheilkh Alhaji Issa AbdulGanny (Baba Ni-Jankin) during its 2024 Annual special prayer, Turbaning ceremony and Award presentation which will also be added to her stage name.
The Albdel Quadri Dorimu corner, Started her stage name with Omo-Sheu when she praise more than 100 respected Sheilkh in one of her album titled Eyin Anobi.
The List of her stage name includes:
24 Beautiful Names of Islamic Star Artist Alhaja (Hon) Princess Opeyemi Jemilat Alagbe aka Omo Sheu