Austinejnr is a worshipper and a praiser who likes acknowledging the fact that God solely has been
the one orchestrating exploits in his life.
His very first single ‘God Alone’ was born from an innate heart showing appreciation to God for
making him the first living graduate of his family.
Ibhafidon Imoisili Austinejnr often called ‘Meelo’ by friends and choir members of LFC Uwasota Edo
state; started his music ministry when he was very young, not knowing it was an assignment rather
than a fun thing. He is the third child amongst six children but he lost his eldest sister in December
2011.
He grew to become the little he is through tutorship from God sent individuals whose names are
numerous to mention, listen to every instruction given and striving to become the best he can be.
Austinejnr isn’t perfect, not even close but he wholly relies on God’s mercies which has brought him
thus far. He wrote ‘God Alone’ in December 2017, while sitting on a chair outside his house. He
initially asked God to give him a song worth recording and sharing to the world and God obliged.
He dedicates this song to his late sister Ibhafidon Isimemen Blessing whose memories he cherishes
so much.
You can’t help but be blessed after listening to God Alone.
AFRIMA partners stakeholders to actualise AU’s vision on creative economy at PACC6 in Moroni, Comoros
AJAGBE ADEYEMI TESLIM
SPONSORED BY: H&H
As one of the institutions championing positive change in the global entertainment industry, All Africa Music Awards (AFRIMA) has reaffirmed its commitment to the growth of Africa’s creative economy by partnering with critical stakeholders to align with the African Union’s vision for cultural and creative development, as outlined during the recently concluded 6th Pan-African Cultural Congress (AU/PACC6) in Moroni, Union of Comoros.
Cross section of participants including AFRIMA’s Director of Stakeholders Engagement, Media, and Communications (Global), Sola Dada during the recently concluded 6th Pan-African Cultural Congress (AU/PACC6) with the theme “Arts, Culture, Heritage, and Education: Levers for Buildings Africa We Want” held in Moroni, Union of Comoros
It was a gathering of key stakeholders, including Pan-African cultural institutions, artists, cultural workers, and policymakers in the East African country, at an epoch-making event held between September 25 and 27, 2024. At this event, a framework for action aligning national and continental policies was developed, emphasizing the development of arts and heritage as crucial to achieving the AU’s Agenda 2063 vision.
In a presentation at the event, Sola Dada, AFRIMA’s Director of Stakeholders Engagement, Media, and Communications (Global), took the audience through the organisation’s activities since its inception in 2014, tailored towards promoting music, arts, and culture on the continent and the sustained effort to collaborate with other industry institutions to deepen the entertainment ecosystem in Africa.
“AFRIMA has successfully collaborated with policymakers, governments, African artistes, producers, record labels, promoters, publishing companies, media and the African Union Commission (AUC) to celebrate and promote African music globally,” Dada told the conference. “Through our seven core pillars, namely Music Awards, Music Festivals, Music Business Hub, Talent Discovery and Promotion, AFRIMA Creative Academy, Advisory and Policy Debates, Corporate Social Responsibility and Advocacy, we have positioned African music as a tool for integration, inclusivity, economic prosperity, and world peace.”
He said as the longest-running African music award platform with a global reach, AFRIMA plays a critical role in enhancing the visibility of African music.
AFRIMA’s Director of Stakeholders Engagement, Media, and Communications (Global), Sola Dada(with cap), giving a speech at the recently concluded 6th Pan-African Cultural Congress (AU/PACC6) with the theme “Arts, Culture, Heritage, and Education: Levers for Buildings Africa We Want” held in Moroni, Union of Comoros
Dada added that. ” AFRIMA’s events bring together thousands of music artistes, actors, celebrities, governments, and professionals from around the world to continent’s cultural significance on the global stage.
“Through our partnership with the AU and other stakeholders, AFRIMA is well-positioned to support the implementation of policies that will drive the growth of Africa’s creative economy. With a focus on integration, innovation, and cultural preservation, AFRIMA and the AU are set to make significant strides toward the Africa We Want as envisioned in Agenda 2063.”
The AU/PACC6, held under the theme “Arts, Culture, Heritage, and Education: Levers for Buildings Africa We Want,” served as a platform for Pan-African cultural institutions, cultural workers, and experts to engage in discussions on how to leverage these sectors to build a stronger African identity.
The congress concluded with a framework for action designed to guide cultural and educational development across the continent.
The congress resulted in several key resolutions aimed at strengthening Africa’s cultural sectors, including support for national cultural policies, engagement of youth and women, heritage preservation, promotion of African languages, and cultural exchange programmes that allow African youth to collaborate, showcase their work, and learn from one another.
In her opening remarks, Mrs. Angela Martins, Acting Director for Social Development, Culture, and Sport at the African Union Commission (AUC), highlighted the rapid growth of Africa’s cultural and creative industries, referring to them as the continent’s “new crude oil” due to their increasing global economic influence. Martins called for greater investment in the sector, citing AU Assembly Decision 772, which advocates for allocating at least 1% of national budgets to arts, culture, and heritage.
As part of the AU’s efforts, she announced the development of an arts education policy aimed at integrating arts education into school curriculums across Member States.
“This policy aligns with the AU’s theme of the year for 2024 and aims to nurture young talent from an early age,” she said.
Martins praised the efforts of key institutions in the entertainment, art and cultural space including AFRIMA which she described as “Africa’s global music awards and longest-running music award platform, with a huge global appeal, diaspora audience, and youthful fans.”
The main events of AFRIMA are usually broadcast live to over 84 countries around the world after a continental and global roadshow, with thousands of music artists, actors, celebrities, members of the diplomatic corps, professionals in the creative space, tourists, media and fans from all over the world converging on the host country.
LAGOS STATE GOVT, FIRST BANK PARTNER STAGECRAFT PRODUCTION TO STAGE KURUNMI
•••Nigerian Breweries Plc supports stage play
AJAGBE ADEYEMI TESLIM
SPONSORED BY: H&H
In line with its commitment to Entertainment and Tourism, of the Governor Babajide Sanwo-Olu administration, Lagos State Government is partnering Stagecraft Studios and Film Production Ltd. to stage a play titled ‘Kurunmi’ this weekend.
The Lagos State Government’s partnership was disclosed by the State Commissioner for Tourism, Arts and Culture, Mrs. Toke Benson-Awoyinka, during a press conference held a few weeks ago at the Bagauda Kaltho Press Centre, Alausa, Ikeja.
She said the government is partnering with the production firm to stage Kurunmi in its bid to foster historical heritage and prevent African culture and traditions from going into extinction, as well as expose and awaken the consciousness of youths to the role of good leadership anywhere they find themselves.
Kurunmi is a play written by renowned playwright, Prof. Ola Rotimi, exploring the themes of supremacy of tradition, social change, responsible leadership, control and accountability.
Kurunmi, which parades a large cast of 75 young and veteran actors and crew members, will be staged at Terra Kulture Arena on Saturday and Sunday, September 28 and 29.
The play is produced by Stagecraft Productions and directed by a renowned movie producer and actor, Mr. Oladapo Muyideen, popularly known as Lala.
The play is supported by FirstBank, as part of its First@arts initiative to promote the arts, preserve cultural heritage, and provide a platform for creative expression.
According to a press release by the bank, the play, set in the Yoruba kingdom of Oyo, follows Kurunmi, a military leader and war general facing internal strife and external threats from imperial powers, particularly the Fulani forces.
“Kurunmi is not only a powerful piece of literature but also a significant contribution to African drama,” the bank stated.
Other sponsor includes the Nigerian Breweries Plc, with its Goldberg beer-an attestation of the brand’s connection to the culture and tradition of its consumers.
The play will open for public on Saturday and Sunday from 3pm and 6pm.
As Part of effort to gather momentum, recognition and to differentiate her brand among her peers in the music industry, Islamic start Artist, Alhaja Azakira Opeyemi Jemilat Alagbe popularly known world wide as Omo-Sheu has Added another feather to her numerous stage name as she unveil all her 24 stage names in a recent interview with August24news.com Senior correspondent. Ajagbe Adeyemi Teslim.
In this report, I will be reporting all the 24 Stage names of the Ado-Odo born star Artist.
Report have it that come next will Sunday at the prestigious Ijanikin Alhaja Jemilat Opeyemi Alagbe will be turban as the Amirah Shuharai of Awori Land by Rahamatulahi Islamic foundation under the leadership of his Eminence Fadilat Sheilkh Alhaji Issa AbdulGanny (Baba Ni-Jankin) during its 2024 Annual special prayer, Turbaning ceremony and Award presentation which will also be added to her stage name.
The Albdel Quadri Dorimu corner, Started her stage name with Omo-Sheu when she praise more than 100 respected Sheilkh in one of her album titled Eyin Anobi.
The List of her stage name includes:
24 Beautiful Names of Islamic Star Artist Alhaja (Hon) Princess Opeyemi Jemilat Alagbe aka Omo Sheu